ἕπτυσχλος: Difference between revisions

ὁ Σιμωνίδης τὴν μὲν ζωγραφίαν ποίησιν σιωπῶσαν προσαγορεύει, τὴν δὲ ποίησιν ζωγραφίαν λαλοῦσαν → Simonides relates that a picture is a silent poem, and a poem a speaking picture | Simonides, however, calls painting inarticulate poetry and poetry articulate painting

Latest revision as of 11:25, 25 August 2023

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Full diacritics: ἕπτυσχλος	Medium diacritics: ἕπτυσχλος	Low diacritics: έπτυσχλος	Capitals: ΕΠΤΥΣΧΛΟΣ
Transliteration A: héptyschlos	Transliteration B: heptyschlos	Transliteration C: eptyschlos	Beta Code: e(/ptusxlos

[Seite 1013] mit sieben Oefen, B. A. 16.

@@ Line 8: / Line 8: @@
 |Transliteration C=eptyschlos
 |Beta Code=e(/ptusxlos
-|Definition=οξ, <span class="sense"><p>&nbsp;&nbsp;&nbsp;<span class="bld">A</span> <b class="b2">sandal laced with seven straps</b>, <span class="bibl">Hermipp.67</span> (pl.), cf. <b class="b3">ὕσχλος, ἐννήυσκλοι, πτύσχλοι</b>.</span>
+|Definition=οξ, [[sandal laced with seven straps]], Hermipp.67 (pl.), cf. [[ὕσχλος]], [[ἐννήυσκλοι]], [[πτύσχλοι]].
+}}
+{{pape
+|ptext=[[https://www.translatum.gr/images/pape/pape-01-1013.png Seite 1013]] mit sieben Oefen, B. A. 16.
 }}