προσόδιον: Difference between revisions
μή, φίλα ψυχά, βίον ἀθάνατον σπεῦδε, τὰν δ' ἔμπρακτον ἄντλει μαχανάν → Oh! my soul do not aspire to eternal life, but exhaust the limits of the possible. | Do not yearn, O my soul, for immortal life! Use to the utmost the skill that is yours. | Do not, my soul, strive for the life of the immortals, but exhaust the practical means at your disposal.
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Latest revision as of 15:46, 25 November 2022
Wikipedia EN
Prosodion (Greek: προσόδιον) in ancient Greece was a processional song to the altar of a deity, mainly Apollo or Artemis, sung ritually before the Paean hymn. It is one of the earliest musical types used by the Greeks. The prosodion was accompanied by the aulos, whereas the associated paean (performed while standing) was accompanied by the kithara. Prosodia were composed by Alcman, Pindar, Simonides of Ceos, Bacchylides, Eumelus of Corinth, and Limenius (whose prosodion follows its paean, rather than preceding it), as well the various winners in art competitions (Mouseia). The etymology of the word is related to ὁδός hodos road and not with ᾠδή ôidê song. According to Soterichus, the music of the prosodia by Alcman, Pindar, Simonides, and Bacchylides was written in the Dorian tonos "because of its grandeur and dignity". The only complete surviving prosodion (part of the Second Delphic Hymn by Limenius), however, is composed in the Lydian tonos.
Russian (Dvoretsky)
προσόδιον: τό
1 просодий (гимн, исполнявшийся при шествии в храм) Soph.;
2 торжественное моление Arph.
