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|georg=Larārium, iī, n., eine [[Kapelle]], in der die Schutzgötter [[des]] Hauses ([[Lares]]) standen, Lampr. Alex. Sev. 29, 2: [[secundum]] u. [[maius]], ibid. 31, 4 u. 5. | |georg=Larārium, iī, n., eine [[Kapelle]], in der die Schutzgötter [[des]] Hauses ([[Lares]]) standen, Lampr. Alex. Sev. 29, 2: [[secundum]] u. [[maius]], ibid. 31, 4 u. 5. | ||
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[[File:Casa dei Vettii - Larario.jpg|thumb|Lararium with painted figures at the House of the Vettii, Pompeii: Two Lares, each holding a rhyton, flank an ancestor-genius holding a libation bowl and incense box, his head covered as if for sacrifice. The snake, associated with the land's fertility and thus prosperity, approaches a low, laden altar. The shrine's tympanum shows a patera, ox-skull and sacrificial knife.]] | |wketx=[[File:Casa dei Vettii - Larario.jpg|thumb|Lararium with painted figures at the House of the Vettii, Pompeii: Two Lares, each holding a rhyton, flank an ancestor-genius holding a libation bowl and incense box, his head covered as if for sacrifice. The snake, associated with the land's fertility and thus prosperity, approaches a low, laden altar. The shrine's tympanum shows a patera, ox-skull and sacrificial knife.]] | ||
By the early Imperial period, household shrines of any kind were known generically as lararia (s. lararium) because they typically contained a Lares figure or two. Painted lararia from Pompeii show two Lares flanking a genius or ancestor-figure, who wears his toga in the priestly manner prescribed for sacrificers. Underneath this trio, a serpent, representing the fertility of fields or the principle of generative power, winds towards an altar. The essentials of sacrifice are depicted around and about; bowl and knife, incense box, libation vessels and parts of sacrificial animals. | By the early Imperial period, household shrines of any kind were known generically as lararia (s. lararium) because they typically contained a Lares figure or two. Painted lararia from Pompeii show two Lares flanking a genius or ancestor-figure, who wears his toga in the priestly manner prescribed for sacrificers. Underneath this trio, a serpent, representing the fertility of fields or the principle of generative power, winds towards an altar. The essentials of sacrifice are depicted around and about; bowl and knife, incense box, libation vessels and parts of sacrificial animals. | ||
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Domestic Lararia were also used as a sacred, protective depository for commonplace symbols of family change and continuity. In his coming-of-age, a boy gave his personal amulet (bulla) to his Lares before he put on his manly toga (toga virilis). Once his first beard had been ritually cut off, it was placed in their keeping. On the night before her wedding, a Roman girl surrendered her dolls, soft balls, and breastbands to her family Lares, as a sign she had come of age. On the day of her marriage, she transferred her allegiance to her husband's neighbourhood Lares (Lares Compitalici) by paying them a copper coin en route to her new home. She paid another to her new domestic Lares, and one to her husband. If the marriage made her a materfamilias, she took joint responsibility with her husband for aspects of household cult. | Domestic Lararia were also used as a sacred, protective depository for commonplace symbols of family change and continuity. In his coming-of-age, a boy gave his personal amulet (bulla) to his Lares before he put on his manly toga (toga virilis). Once his first beard had been ritually cut off, it was placed in their keeping. On the night before her wedding, a Roman girl surrendered her dolls, soft balls, and breastbands to her family Lares, as a sign she had come of age. On the day of her marriage, she transferred her allegiance to her husband's neighbourhood Lares (Lares Compitalici) by paying them a copper coin en route to her new home. She paid another to her new domestic Lares, and one to her husband. If the marriage made her a materfamilias, she took joint responsibility with her husband for aspects of household cult. | ||
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