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ἀναγνώρισις: Difference between revisions
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|lsmtext='''ἀναγνώρισις:''' -εως, ἡ, [[αναγνώριση]], σε Πλάτ.· στην Τραγωδία, σε Αριστ. | |lsmtext='''ἀναγνώρισις:''' -εως, ἡ, [[αναγνώριση]], σε Πλάτ.· στην Τραγωδία, σε Αριστ. | ||
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Anagnorisis (/ˌænəɡˈnɒrɪsɪs/; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. | |wketx=Anagnorisis (/ˌænəɡˈnɒrɪsɪs/; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. | ||
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|wkdetx=Anagnorisis (griechisch ‚Wiedererkennung‘) bezeichnet in der griechischen und römischen Literatur den Umstand, dass sich zwei Personen wiedererkennen. | |wkdetx=Anagnorisis (griechisch ‚Wiedererkennung‘) bezeichnet in der griechischen und römischen Literatur den Umstand, dass sich zwei Personen wiedererkennen. | ||
