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ὑπάτη: Difference between revisions

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|Beta Code=u(pa/th
|Beta Code=u(pa/th
|Definition=(sc. <b class="b3">χορδή</b>), ἡ, <span class="sense"><p>&nbsp;&nbsp;&nbsp;<span class="bld">A</span> <b class="b2">the highest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">νεάτη, μέση</b>), but <b class="b2">the lowest</b> in pitch, <span class="bibl">Philol.6</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>, etc.; αἱ ὑπάται <b class="b2">the highest tetrachord</b>, Anon.<span class="title">Oxy.</span>667.16; <b class="b3">τὴν ἀπὸ τῶν ὑπάτων . . ἐπίτασιν</b> raising of pitch from the <b class="b2">low notes</b>, Antyll. ap. <span class="bibl">Orib. 6.10.7</span>; τὸ βομβυκέστερον τῶν ὑπατῶν <span class="bibl">Nicom.<span class="title">Harm.</span>11</span>; <b class="b3">ὑπάτη ὑπατῶν</b> ibid. (but ὑ. ὑπάτων <span class="bibl">Cleonid.<span class="title">Harm.</span>4</span>).</span>
|Definition=(sc. <b class="b3">χορδή</b>), ἡ, <span class="sense"><p>&nbsp;&nbsp;&nbsp;<span class="bld">A</span> <b class="b2">the highest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">νεάτη, μέση</b>), but <b class="b2">the lowest</b> in pitch, <span class="bibl">Philol.6</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>, etc.; αἱ ὑπάται <b class="b2">the highest tetrachord</b>, Anon.<span class="title">Oxy.</span>667.16; <b class="b3">τὴν ἀπὸ τῶν ὑπάτων . . ἐπίτασιν</b> raising of pitch from the <b class="b2">low notes</b>, Antyll. ap. <span class="bibl">Orib. 6.10.7</span>; τὸ βομβυκέστερον τῶν ὑπατῶν <span class="bibl">Nicom.<span class="title">Harm.</span>11</span>; <b class="b3">ὑπάτη ὑπατῶν</b> ibid. (but ὑ. ὑπάτων <span class="bibl">Cleonid.<span class="title">Harm.</span>4</span>).</span>
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|lstext='''ὑπάτη''': (ἐξυπακ. [[χορδή]]), ἡ, ἡ ὑψίστη ἢ μεγίστη (κατὰ τὸ [[μῆκος]]) χορδὴ ἀλλὰ κατωτάτη κατὰ τὴν ὀξύτητα τοῦ τόνου ἐκ τῶν τριῶν χορδῶν, αἵτινες ἀπετέλουν τὴν Ἑλληνικὴν μουσικὴν κλίμακα (ἴδε [[μέση]], [[νεάτη]]), Πλάτ. Πολ. 443D, κλπ., πρβλ. [[παρυπάτη]], καὶ ἴδε Chapell Anc Mus. σ. 36. - Ἴδε Γ. Κατζιδάκι Βιβλιοκρισίαν ἐν Ἀθηνᾶς τόμ. ΙΓ΄, σ. 532, [[ἔνθα]] ἡ γενικ. πληθ. ὑπατῶν.
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