Rhinthon: Difference between revisions
οὐ δικαίως θάνατον ἔχθουσιν βροτοί, ὅσπερ μέγιστον ῥῦμα τῶν πολλῶν κακῶν → unjustly men hate death, which is the greatest defence against their many ills | men are not right in hating death, which is the greatest succour from our many ills
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|wketx=[[Rhinthon]] (Greek: [[Ῥίνθων]], gen.: Ῥίνθωνος; c. 323 – 285 BC) was a Hellenistic dramatist. The son of a potter, he was probably a native of Syracuse and afterwards settled at Tarentum. | |||
He invented the [[hilarotragoedia]], a [[burlesque]] of [[tragic]] subjects. Such burlesques were also called phlyakes ("fooleries") and their writers [[φλυακογράφος|phlyakographoi]]. He was the author of thirty-eight plays, of which only a few titles (Amphitryon, Heracles, Medea, Orestes) and lines have been preserved, chiefly by the grammarians, as illustrating dialectic Tarentine forms. The metre is iambic, in which the greatest licence is allowed. The scant fragments of his plays are collected in R. Kassel and C. Austin, Poetae Comici Graeci, vol. 1, pp. 260–70. | |||
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{{Gaffiot | {{Gaffiot | ||
|gf=<b>Rhinthōn</b> <b>(-tōn)</b>, ōnis, m. ([[Ῥίνθων]]), poète comique grec, de Tarente : Cic. Att. 1, 20, 3 || <b>-ōnĭcus</b>, a, um, de [[Rhinthon]], rhinthonien : Ps. Bass. Metr. 312, 8.||<b>-ōnĭcus</b>, a, um, de [[Rhinthon]], rhinthonien : Ps. Bass. Metr. 312, 8. | |gf=<b>Rhinthōn</b> <b>(-tōn)</b>, ōnis, m. ([[Ῥίνθων]]), poète comique grec, de Tarente : Cic. Att. 1, 20, 3 || <b>-ōnĭcus</b>, a, um, de [[Rhinthon]], rhinthonien : Ps. Bass. Metr. 312, 8.||<b>-ōnĭcus</b>, a, um, de [[Rhinthon]], rhinthonien : Ps. Bass. Metr. 312, 8. | ||
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Latest revision as of 11:10, 13 October 2022
Wikipedia EN
Rhinthon (Greek: Ῥίνθων, gen.: Ῥίνθωνος; c. 323 – 285 BC) was a Hellenistic dramatist. The son of a potter, he was probably a native of Syracuse and afterwards settled at Tarentum.
He invented the hilarotragoedia, a burlesque of tragic subjects. Such burlesques were also called phlyakes ("fooleries") and their writers phlyakographoi. He was the author of thirty-eight plays, of which only a few titles (Amphitryon, Heracles, Medea, Orestes) and lines have been preserved, chiefly by the grammarians, as illustrating dialectic Tarentine forms. The metre is iambic, in which the greatest licence is allowed. The scant fragments of his plays are collected in R. Kassel and C. Austin, Poetae Comici Graeci, vol. 1, pp. 260–70.
Latin > French (Gaffiot 2016)
Rhinthōn (-tōn), ōnis, m. (Ῥίνθων), poète comique grec, de Tarente : Cic. Att. 1, 20, 3 || -ōnĭcus, a, um, de Rhinthon, rhinthonien : Ps. Bass. Metr. 312, 8.
