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ἐπῳδός: Difference between revisions
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|Definition=όν<b class="b3">, (ἐπᾴδω)</b> <span class="sense"><p> <span class="bld">A</span> <b class="b2">singing to</b> or <b class="b2">over, using songs</b> or <b class="b2">charms</b> to heal wounds, ἐπῳδοὶ μῦθοι <span class="bibl">Pl.<span class="title">Lg.</span>903b</span>. </span><span class="sense"> <span class="bld">b</span> Subst., <b class="b2">enchanter</b>, ἐ. καὶ γόης <span class="bibl">E.<span class="title">Hipp.</span> 1038</span> (but γόης ἐ. <span class="bibl"><span class="title">Ba.</span>234</span>): c. gen., <b class="b2">a charm for</b> or <b class="b2">against</b>, ἔθυσεν αὑτοῦ παῖδα ἐπῳδὸν Θρῃκίων ἀημάτων <span class="bibl">A.<span class="title">Ag.</span>1418</span> ; <b class="b3">ἐ. τῶν τοιούτων</b> <b class="b2">one to charm away</b> such fears, <span class="bibl">Pl.<span class="title">Phd.</span>78a</span>. </span><span class="sense"> <span class="bld">c</span> c. dat., <b class="b2">assisting, profitable</b>, ἐ. γίγνεσθαι νέοις πρὸς ἀρετήν <span class="bibl">Id.<span class="title">Lg.</span>671a</span> ; δυσπραξίᾳ ληφθεὶς ἐ. ἐστι τῷ πειρωμένῳ <span class="title">Trag.Adesp.</span>364.4. </span><span class="sense"> <span class="bld">2</span> Pass., <b class="b2">sung to music</b>, φωναί Plu.2.622d ; <b class="b2">fit for singing</b>, ποιητικὴν ἐ. παρέχειν <span class="bibl">S.E.<span class="title">M.</span>6.16</span>. </span><span class="sense"> <span class="bld">b</span> <b class="b2">sung</b> or <b class="b2">said after</b>, <b class="b3">μορφῆς ἐπῳδόν</b> <b class="b2">called after</b> this form, <span class="bibl">E. <span class="title">Hec.</span>1272</span>. </span><span class="sense"> <span class="bld">II</span> in Metre, as Subst., </span><span class="sense"> <span class="bld">1</span> <b class="b3">ἐπῳδός, ἡ,</b> Sch.metr. <span class="bibl">Pi.<span class="title">O.</span>4</span> (ὁ, <span class="bibl">Gal.<span class="title">UP</span>17.3</span>, dub. in <span class="bibl">D.H.<span class="title">Comp.</span>19</span>), <b class="b2">epode, part of a lyric ode sung after the strophe and antistrophe</b>, ib.<span class="bibl">26</span>, Gal. l.c., Sch.metr. Pi.l.c., etc. </span><span class="sense"> <span class="bld">2</span> <b class="b3">ἐπῳδός, ὁ,</b> <b class="b2">verse</b> or <b class="b2">passage returning</b> at intervals, in Alcaics and Sapphics, <span class="bibl">D.H.<span class="title">Comp.</span>19</span> ; <b class="b2">chorus, burden, refrain</b>, <span class="bibl">Ph. 1.312</span> : metaph., <b class="b3">ὁ κοινὸς ἁπάσης ἀδολεσχίας ἐ</b>. the 'old story', Plu.2.507e. </span><span class="sense"> <span class="bld">b</span> <b class="b2">shorter verse of a couplet</b>, as in the metres invented by Archilochus, <span class="bibl">Hermog.<span class="title">Inv.</span>4.4</span> : hence of short poems written in such metres, ἐπῳδοί Heph.<b class="b2">Poëm</b>.<span class="bibl">7.2</span> ; ἐπῳδά Plu.2.1141a.</span> | |Definition=όν<b class="b3">, (ἐπᾴδω)</b> <span class="sense"><p> <span class="bld">A</span> <b class="b2">singing to</b> or <b class="b2">over, using songs</b> or <b class="b2">charms</b> to heal wounds, ἐπῳδοὶ μῦθοι <span class="bibl">Pl.<span class="title">Lg.</span>903b</span>. </span><span class="sense"> <span class="bld">b</span> Subst., <b class="b2">enchanter</b>, ἐ. καὶ γόης <span class="bibl">E.<span class="title">Hipp.</span> 1038</span> (but γόης ἐ. <span class="bibl"><span class="title">Ba.</span>234</span>): c. gen., <b class="b2">a charm for</b> or <b class="b2">against</b>, ἔθυσεν αὑτοῦ παῖδα ἐπῳδὸν Θρῃκίων ἀημάτων <span class="bibl">A.<span class="title">Ag.</span>1418</span> ; <b class="b3">ἐ. τῶν τοιούτων</b> <b class="b2">one to charm away</b> such fears, <span class="bibl">Pl.<span class="title">Phd.</span>78a</span>. </span><span class="sense"> <span class="bld">c</span> c. dat., <b class="b2">assisting, profitable</b>, ἐ. γίγνεσθαι νέοις πρὸς ἀρετήν <span class="bibl">Id.<span class="title">Lg.</span>671a</span> ; δυσπραξίᾳ ληφθεὶς ἐ. ἐστι τῷ πειρωμένῳ <span class="title">Trag.Adesp.</span>364.4. </span><span class="sense"> <span class="bld">2</span> Pass., <b class="b2">sung to music</b>, φωναί Plu.2.622d ; <b class="b2">fit for singing</b>, ποιητικὴν ἐ. παρέχειν <span class="bibl">S.E.<span class="title">M.</span>6.16</span>. </span><span class="sense"> <span class="bld">b</span> <b class="b2">sung</b> or <b class="b2">said after</b>, <b class="b3">μορφῆς ἐπῳδόν</b> <b class="b2">called after</b> this form, <span class="bibl">E. <span class="title">Hec.</span>1272</span>. </span><span class="sense"> <span class="bld">II</span> in Metre, as Subst., </span><span class="sense"> <span class="bld">1</span> <b class="b3">ἐπῳδός, ἡ,</b> Sch.metr. <span class="bibl">Pi.<span class="title">O.</span>4</span> (ὁ, <span class="bibl">Gal.<span class="title">UP</span>17.3</span>, dub. in <span class="bibl">D.H.<span class="title">Comp.</span>19</span>), <b class="b2">epode, part of a lyric ode sung after the strophe and antistrophe</b>, ib.<span class="bibl">26</span>, Gal. l.c., Sch.metr. Pi.l.c., etc. </span><span class="sense"> <span class="bld">2</span> <b class="b3">ἐπῳδός, ὁ,</b> <b class="b2">verse</b> or <b class="b2">passage returning</b> at intervals, in Alcaics and Sapphics, <span class="bibl">D.H.<span class="title">Comp.</span>19</span> ; <b class="b2">chorus, burden, refrain</b>, <span class="bibl">Ph. 1.312</span> : metaph., <b class="b3">ὁ κοινὸς ἁπάσης ἀδολεσχίας ἐ</b>. the 'old story', Plu.2.507e. </span><span class="sense"> <span class="bld">b</span> <b class="b2">shorter verse of a couplet</b>, as in the metres invented by Archilochus, <span class="bibl">Hermog.<span class="title">Inv.</span>4.4</span> : hence of short poems written in such metres, ἐπῳδοί Heph.<b class="b2">Poëm</b>.<span class="bibl">7.2</span> ; ἐπῳδά Plu.2.1141a.</span> | ||
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|ptext=[[https://www.translatum.gr/images/pape/pape-01-1015.png Seite 1015]] dazu singend, bes. Zauber- oder Bannsprüche bei Krankheiten, die den Schmerz stillen od. die Krankheit heilen (besprechen), ἐπῳδῶν προσδεῖσθαι μύθων Plat. Legg. X, 903 b; vgl. IL, 671 a; übh. Zaubermittel, ὃς ἔθυσεν αὑτοῦ π αῖδα ἐπῳδὸν Θρῃκίων ἀημάτων, als Zaubermittel gegen die thracischen Stürme, um die Stürme abzuwehren, Aesch. Ag. 1392, μορφῆς ἐπῳδόν, ein Schimpfwort auf die Gestalt, Eur. Hec. 1258. Oft als subst., – a) ὁ, Zauberer, Beschwörer, der durch übernatürliche, geheime Mittel Etwas zu bewirken sucht, καὶ [[γόης]] Eur. Hipp. 1038; Bacch. 235; bes. der mit.Zaubersprüchen heilt, übh. Arzt, Plat. u. Sp., δυσπραξίᾳ ληφθεὶς [[ἐπῳδός]] ἐστι τῷ πειρωμένῳ, p. bei Plut. de ad. et. am. discr. 8, ein Unglücklicher ist des andern Tröster. – hl ἡ [[ἐπῳδός]], Nach-od. Schlußgesang, der Theil eines lyrischen Gedichtes, welcher auf die Strophe u. Gegenstrophe folgt. D. Hal. C. V. 19 u. a. Gramm. Die meisten Gedichte des Pindar u. viele Chorgesänge der Dramatiker sind Beispiele von solchen Gedichten, die deshalb ἐπῳδικά, τά, hießen. – c) ὁ, ein kurzer Vers, der auf einen längern folgt, Hephaest., wie Archil. zuerst auf einen längern jambischen Vers einen Dimeter folgen ließ, daher solche Gedichte ἐπῳδά hießen, Plut. de music. 28. – Auch ein in einem Gedichte nach gewissen Zwischenräumen wiederkehrender Vers hieß so, Refrain, vgl. Theocr. 1, 2; Bion. 1; Hosch. 3. – Dah. übertr., ὁ κοινὸς ἁπάσης ἀδολεσχίας [[ἐπῳδός]] Plut. de garrul. 11, der gewöhnliche Refrain bei der Geschwätzigkeit, was die Schwätzer immer hinzuzusetzen pflegen. – Aber ἡ μουσικὴ τὴν ποιητικὴν π οιεῖ ἐπῳδόν = singbar, S. Emp. adv. mus. 16. | |||
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