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τραγῳδία: Difference between revisions
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|mdlsjtxt=τρᾰγῳδία, ἡ, [[τραγῳδός]]<br /><b class="num">I.</b> a [[tragedy]], invented by the Dorians, and at [[first]] of lyric [[character]] (τραγικοὶ χοροί Hdt.); then transplanted to [[Athens]], [[where]] it [[assumed]] its [[dramatic]] [[form]], Ar., etc. Its [[proper]] [[sense]] is [[goat]]-[[song]], [[because]] in [[early]] times a [[goat]] was the [[prize]], or [[because]] the actors were clothed in [[goat]]-skins.<br /><b class="num">II.</b> [[generally]], any [[grave]], [[serious]] [[poetry]], Plat. | |mdlsjtxt=τρᾰγῳδία, ἡ, [[τραγῳδός]]<br /><b class="num">I.</b> a [[tragedy]], invented by the Dorians, and at [[first]] of lyric [[character]] (τραγικοὶ χοροί Hdt.); then transplanted to [[Athens]], [[where]] it [[assumed]] its [[dramatic]] [[form]], Ar., etc. Its [[proper]] [[sense]] is [[goat]]-[[song]], [[because]] in [[early]] times a [[goat]] was the [[prize]], or [[because]] the actors were clothed in [[goat]]-skins.<br /><b class="num">II.</b> [[generally]], any [[grave]], [[serious]] [[poetry]], Plat. | ||
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Tragedy (from the Greek: τραγῳδία, tragōidia) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. | |wketx=Tragedy (from the Greek: τραγῳδία, tragōidia) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. | ||
The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag(o)-aoidiā = "goat song", which comes from tragos = "he-goat" and aeidein = "to sing" (cf. "ode"). Scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was what a chorus danced around prior to the animal's ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis (2nd–3rd century CE) says that the original form of the word was trygodia from trygos (grape harvest) and ode (song), because those events were first introduced during grape harvest. | The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag(o)-aoidiā = "goat song", which comes from tragos = "he-goat" and aeidein = "to sing" (cf. "ode"). Scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was what a chorus danced around prior to the animal's ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis (2nd–3rd century CE) says that the original form of the word was trygodia from trygos (grape harvest) and ode (song), because those events were first introduced during grape harvest. | ||
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<blockquote class="blockquote1">Tragedy is, then, an enactment of a deed that is important and complete, and of [a certain] magnitude, by means of language enriched [with ornaments], each used separately in the different parts [of the play]: it is enacted, not [merely] recited, and through pity and fear it effects relief (catharsis) to such [and similar] emotions.<br>— [[Aristotle]], ''[[Poetics]]'', VI 1449b 2–3</blockquote> | <blockquote class="blockquote1">Tragedy is, then, an enactment of a deed that is important and complete, and of [a certain] magnitude, by means of language enriched [with ornaments], each used separately in the different parts [of the play]: it is enacted, not [merely] recited, and through pity and fear it effects relief (catharsis) to such [and similar] emotions.<br>— [[Aristotle]], ''[[Poetics]]'', VI 1449b 2–3</blockquote> | ||
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==Wikipedia EL== | ==Wikipedia EL== | ||
Η τραγωδία είναι δραματικό είδος ποιητικού λόγου που εμφανίστηκε στην Αρχαία Ελλάδα. Η Μούσα που την αντιπροσωπεύει είναι η Μελπομένη. Ο φιλόσοφος Αριστοτέλης στο έργο του Περί Ποιητικής (1449b-1450b) δίνει τον εξής ορισμό της τραγωδίας: | Η τραγωδία είναι δραματικό είδος ποιητικού λόγου που εμφανίστηκε στην Αρχαία Ελλάδα. Η Μούσα που την αντιπροσωπεύει είναι η Μελπομένη. Ο φιλόσοφος Αριστοτέλης στο έργο του Περί Ποιητικής (1449b-1450b) δίνει τον εξής ορισμό της τραγωδίας: | ||
