Apelles: Difference between revisions
Θνητὸς πεφυκὼς τοὐπίσω πειρῶ βλέπειν → Homo natus id, quod instat, ut videas, age → Als sterblich Wesen mühe dich zu seh'n, was folgt
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{{WoodhouseENELnames | {{WoodhouseENELnames | ||
|Text=[[ | |Text=[[Ἀπελλῆς]], -οῦ, ὁ.|link={{filepath:woodhouse_1001.jpg}}]]Ἀπελλῆς, -οῦ, ὁ. | ||
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{{Lewis | {{Lewis | ||
|lshtext=<b>Ăpelles</b>: is (voc. [[Apella]], Plaut. Poen. 5, 4, 101, as if from the [[Doric]] Ἀπελλᾶς), m., = Ἀπελλῆς,<br /><b>I</b> a [[distinguished]] Greek [[painter]] in the [[time]] of [[Alexander]] | |lshtext=<b>Ăpelles</b>: is (voc. [[Apella]], Plaut. Poen. 5, 4, 101, as if from the [[Doric]] Ἀπελλᾶς), m., = Ἀπελλῆς,<br /><b>I</b> a [[distinguished]] Greek [[painter]] in the [[time]] of [[Alexander the Great]], Plin. 35, 10, 36, § 10; Cic. Brut. 18, 70; id. Off. 3, 2, 10; id. Fam. 1, 9; Prop. 4, 8, 11 al.—Hence, Ăpellēus, a, um, adj., of or belonging to [[Apelles]]: [[opus]], Mart. 7, 83: tabulae, Prop. 1, 2, 22 al. | ||
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{{Gaffiot | |||
|gf=<b>Ăpellēs</b>,¹³ is, m. (Ἀπελλῆς), célèbre peintre grec : Plin. 35, 10 ; Cic. Br. 70 || <b>-lēus</b>, a, um, d’Apelle : Mart. 7, 84, 8.||<b>-lēus</b>, a, um, d’Apelle : Mart. 7, 84, 8. | |||
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{{Georges | |||
|georg=Apellēs, is, m. (Ἀπελλης), geb. zu Kolophon od. [[Ephesus]], der größte [[Maler]] [[des]] Altertums, [[Zeitgenosse]] u. [[Liebling]] Alexanders [[des]] Gr., [[bes]]. [[berühmt]] [[durch]] das [[Gemälde]] der [[Venus]] [[Anadyomene]], das [[mit]] den berühmtesten Werken desselben Meisters im Äskulaptempel zu Kos aufbewahrt u. [[als]] [[ein]] [[Wunder]] der [[Welt]] angestaunt wurde (dah. [[Apelles]] [[selbst]] [[Cous]] [[gen]]., [[nicht]] [[weil]] er [[daselbst]] geboren), Plin. 35, 79 sqq. Ov. art. am. 3, 401. Cic. de off. 3, 10: Dat. Apelleti, Corp. inscr. Lat. 6, 1467, 22: Akk. Apelletem, Petr. 64. Corp. inscr. Lat. 2, 2286: Vok. [[Apella]], Plaut. Poen. 1271. – Dav. Apellēus, a, um (Ἀπέλλειος), apellëisch, [[des]] [[Apelles]], tabulae, Prop.: [[opus]], Mart.: colores, Stat. | |||
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{{wkpen | |||
|wketx=[[Apelles]] of Kos (/əˈpɛliːz/; Greek: [[Ἀπελλῆς]]; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed (Naturalis Historia 35.36.79–97 and passim), rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad (332–329 BC), possibly because he had produced a portrait of Alexander the Great. | |||
}} | }} | ||
Latest revision as of 14:16, 27 May 2024
English > Greek (Woodhouse)
Ἀπελλῆς, -οῦ, ὁ.
Latin > English (Lewis & Short)
Ăpelles: is (voc. Apella, Plaut. Poen. 5, 4, 101, as if from the Doric Ἀπελλᾶς), m., = Ἀπελλῆς,
I a distinguished Greek painter in the time of Alexander the Great, Plin. 35, 10, 36, § 10; Cic. Brut. 18, 70; id. Off. 3, 2, 10; id. Fam. 1, 9; Prop. 4, 8, 11 al.—Hence, Ăpellēus, a, um, adj., of or belonging to Apelles: opus, Mart. 7, 83: tabulae, Prop. 1, 2, 22 al.
Latin > French (Gaffiot 2016)
Ăpellēs,¹³ is, m. (Ἀπελλῆς), célèbre peintre grec : Plin. 35, 10 ; Cic. Br. 70 || -lēus, a, um, d’Apelle : Mart. 7, 84, 8.
Latin > German (Georges)
Apellēs, is, m. (Ἀπελλης), geb. zu Kolophon od. Ephesus, der größte Maler des Altertums, Zeitgenosse u. Liebling Alexanders des Gr., bes. berühmt durch das Gemälde der Venus Anadyomene, das mit den berühmtesten Werken desselben Meisters im Äskulaptempel zu Kos aufbewahrt u. als ein Wunder der Welt angestaunt wurde (dah. Apelles selbst Cous gen., nicht weil er daselbst geboren), Plin. 35, 79 sqq. Ov. art. am. 3, 401. Cic. de off. 3, 10: Dat. Apelleti, Corp. inscr. Lat. 6, 1467, 22: Akk. Apelletem, Petr. 64. Corp. inscr. Lat. 2, 2286: Vok. Apella, Plaut. Poen. 1271. – Dav. Apellēus, a, um (Ἀπέλλειος), apellëisch, des Apelles, tabulae, Prop.: opus, Mart.: colores, Stat.
Wikipedia EN
Apelles of Kos (/əˈpɛliːz/; Greek: Ἀπελλῆς; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed (Naturalis Historia 35.36.79–97 and passim), rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad (332–329 BC), possibly because he had produced a portrait of Alexander the Great.
