ἀπέκ: Difference between revisions
From LSJ
ἁρμονίη ἀφανὴς φανερῆς κρείττων → the hidden attunement is better than the obvious one, invisible connection is stronger than visible, harmony we can't see is stronger than harmony we can, unseen harmony is stronger than what we can see
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|btext=[[ἀπέξ]] <i>devant voy.</i><br /><i>prép.</i><br />hors de, gén..<br />'''Étymologie:''' [[ἀπό]], [[ἐκ]]. | |btext=[[ἀπέξ]] <i>devant voy.</i><br /><i>prép.</i><br />hors de, gén..<br />'''Étymologie:''' [[ἀπό]], [[ἐκ]]. | ||
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|dgtxt=prep. c. gen. [[desde]], <i>h.Ap</i>.110 (ap. crít.). | |||
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Revision as of 12:15, 21 August 2017
English (LSJ)
Prep. with gen.,
A away out of, v.l. in h.Ap.110.
German (Pape)
[Seite 285] vor Vokalen ἀπέξ, weg und heraus, τινός H. h. Apoll. 110; vgl. Spitzner Exc. XVIII zu Il. p. LXXVIII ff.
Greek (Liddell-Scott)
ἀπέκ: προθ. μετὰ γεν. ἔξω, μακράν τινος, Ὕμν. Ὁμ. εἰς Ἀπόλλ. 110: - κάλλιον διῃρημένως, ἀπ’ ἐκ, ὡς τὰ δι’ ἐκ, ὑπ’ ἐκ, Spitzn. Exc XVIII. ἐν τόπ.
French (Bailly abrégé)
ἀπέξ devant voy.
prép.
hors de, gén..
Étymologie: ἀπό, ἐκ.
Spanish (DGE)
prep. c. gen. desde, h.Ap.110 (ap. crít.).
