σύγκρουσις
Έγ', ὦ ταλαίπωρ', αὐτὸς ὧν χρείᾳ πάρει. Τὰ πολλὰ γάρ τοι ῥήματ' ἢ τέρψαντά τι, ἢ δυσχεράναντ', ἢ κατοικτίσαντά πως, παρέσχε φωνὴν τοῖς ἀφωνήτοις τινά –> Wretched brother, tell him what you need. A multitude of words can be pleasurable, burdensome, or they can arouse pity somehow — they give a kind of voice to the voiceless.
English (LSJ)
εως, ἡ,
A collision, ἀνέμων Thphr. Vent.53; ὅπλων Onos.26.1; [ἀτόμων], νεφῶν, Epicur.Ep.1p.8U., 2p.45U., cf. Diog.Oen.33; of ships, D.C.49.1; hiatus or concurrence, φωνηέντων Chrysipp.Stoic.2.96, Demetr.Eloc.68, D.H.Comp.22 (pl.), Hermog.Id.1.3, al. 2 metaph., collision, conflict, Plu.Num. 17; πρός τινα Arg.iii Ar.Nu. II in Music, rapid alternation of two notes, trill, Ptol.Harm.2.12. III Rhet., collision of contradictory statements, Aps.p.270H.
German (Pape)
[Seite 970] ἡ, das Zusammenschlagen, -stoßen, das Zusammentreffen zweier Heere, Treffen, Schlacht, Thuc. 7, 36; – Verfeindung, Feindschaft, καὶ φιλονεικίας, Plut. Num. 17. – In der Musik das wiederholte Anschlagen zweier Saiten schnell hinter einander, das Trillerschlagen, Ptol. harmon. 2, 12.
