νεάτη: Difference between revisions
τὸ δὲ ποιεῖν ἄνευ νοῦ ἃ δοκεῖ καὶ σὺ ὁμολογεῖς κακὸν εἶναι: ἢ οὔ → but doing what one thinks fit without intelligence is—as you yourself admit, do you not?—an evil
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|Definition=[ᾰ] (sc. <b class="b3">χορδή</b>), ἡ, Dor. νεάτα <span class="bibl">Philol.6</span>:—<span class="sense"><p> <span class="bld">A</span> <b class="b2">the lowest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">μέση, ὑπάτη</b>), but <b class="b2">the highest</b> in pitch, <span class="bibl">Cratin.134</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>:— contr. νήτη <span class="bibl">Arist.<span class="title">Ph.</span>224b34</span>, <span class="bibl"><span class="title">Metaph.</span>1018b28</span>, <span class="bibl">1057a23</span>, Alex.Eph. ap.Theon.Sm.<span class="bibl">p.140</span> H., etc.: in pl., <b class="b3">ἐπὶ τὰς νήτας . . ἀναβαίνειν</b>, in declamation, Anty ll. ap. <span class="bibl">Orib.6.10.23</span>. (Orig. fem. of <b class="b3">νέατος</b> (A).)</span> | |Definition=[ᾰ] (sc. <b class="b3">χορδή</b>), ἡ, Dor. νεάτα <span class="bibl">Philol.6</span>:—<span class="sense"><p> <span class="bld">A</span> <b class="b2">the lowest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">μέση, ὑπάτη</b>), but <b class="b2">the highest</b> in pitch, <span class="bibl">Cratin.134</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>:— contr. νήτη <span class="bibl">Arist.<span class="title">Ph.</span>224b34</span>, <span class="bibl"><span class="title">Metaph.</span>1018b28</span>, <span class="bibl">1057a23</span>, Alex.Eph. ap.Theon.Sm.<span class="bibl">p.140</span> H., etc.: in pl., <b class="b3">ἐπὶ τὰς νήτας . . ἀναβαίνειν</b>, in declamation, Anty ll. ap. <span class="bibl">Orib.6.10.23</span>. (Orig. fem. of <b class="b3">νέατος</b> (A).)</span> | ||
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|lstext='''νεάτη''': [ᾰ], (ἐξυπακ. [[χορδή]]), ἡ, ἡ κατωτάτη τῶν τριῶν χορδῶν, αἵτινες ἀπετέλουν τὴν ἀρχαιοτάτην μουσικὴν κλίμακα (ὧν αἱ δύο ἕτεραι ἦσαν ἡ [[μέση]] καὶ ἡ [[ὑπάτη]]), ἀλλ’ ἡ ἀνωτάτη (ὡς πρὸς τὸν τόνον τῆς φωνῆς ἢ τοῦ ἢχου) κατὰ τοὺς νεωτέρους, Κρατῖν. ἐν «Νόμοις» 14, Πλάτ. Πολ. 443D· συνῃρ. [[νήτη]], Ἀριστ. Φυσ. 5. 1, 7, Μετὰ τὰ Φυσ. 4. 11, 4., 9. 7, 2, κ. ἀλλ.· πρβλ. [[παρανήτη]]. (Κυρίως θηλ. τοῦ [[νέατος]]). | |||
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Revision as of 10:46, 5 August 2017
English (LSJ)
[ᾰ] (sc. χορδή), ἡ, Dor. νεάτα Philol.6:—
A the lowest of the three strings which formed the framework of the musical scale (opp. μέση, ὑπάτη), but the highest in pitch, Cratin.134, Pl.R.443d:— contr. νήτη Arist.Ph.224b34, Metaph.1018b28, 1057a23, Alex.Eph. ap.Theon.Sm.p.140 H., etc.: in pl., ἐπὶ τὰς νήτας . . ἀναβαίνειν, in declamation, Anty ll. ap. Orib.6.10.23. (Orig. fem. of νέατος (A).)
Greek (Liddell-Scott)
νεάτη: [ᾰ], (ἐξυπακ. χορδή), ἡ, ἡ κατωτάτη τῶν τριῶν χορδῶν, αἵτινες ἀπετέλουν τὴν ἀρχαιοτάτην μουσικὴν κλίμακα (ὧν αἱ δύο ἕτεραι ἦσαν ἡ μέση καὶ ἡ ὑπάτη), ἀλλ’ ἡ ἀνωτάτη (ὡς πρὸς τὸν τόνον τῆς φωνῆς ἢ τοῦ ἢχου) κατὰ τοὺς νεωτέρους, Κρατῖν. ἐν «Νόμοις» 14, Πλάτ. Πολ. 443D· συνῃρ. νήτη, Ἀριστ. Φυσ. 5. 1, 7, Μετὰ τὰ Φυσ. 4. 11, 4., 9. 7, 2, κ. ἀλλ.· πρβλ. παρανήτη. (Κυρίως θηλ. τοῦ νέατος).
