Θεσμοφοριάζουσαι

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Ubi idem et maximus et honestissimus amor est, aliquando praestat morte jungi, quam vita distrahi → Where indeed the greatest and most honourable love exists, it is much better to be joined by death, than separated by life.

Valerius Maximus, De Factis Dictisque

Wikipedia EN

Thesmophoriazusae (Greek: Θεσμοφοριάζουσαι; Thesmophoriazousai, meaning Women Celebrating the Festival of the Thesmophoria), or Women at the Thesmophoria (sometimes also called The Poet and the Women), is one of eleven surviving plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as Lysistrata, another play with sexual themes.

How Thesmophoriazusae fared in the City Dionysia drama competition is unknown, but the play has been considered one of Aristophanes' most brilliant parodies of Athenian society.

Translations

ar: النساء في أعياد الثيسموفوريا; de: Die Thesmophoriazusen; el: Θεσμοφοριάζουσες; en: Thesmophoriazusae; es: Las Tesmoforiantes; fi: Naistenjuhla; fr: Les Thesmophories; he: חג הנשים; is: Konur á Þesmófóruhátíð; it: Le donne alle Tesmoforie; ja: 女だけの祭; la: Thesmophoriazusae; pl: Thesmoforie; pt: As Tesmoforiantes; ru: Женщины на празднике Фесмофорий; sh: Tesmoforijazuse; sv: Thesmoforiafesten; tr: Thesmophoriazusae; uk: Жінки на святі Тесмофорій