μελοποιΐα: Difference between revisions
Οὐ γὰρ ἀργίας ὤνιον ἡ ὑγίεια καὶ ἀπραξίας, ἅ γε δὴ μέγιστα κακῶν ταῖς νόσοις πρόσεστι, καὶ οὐδὲν διαφέρει τοῦ τὰ ὄμματα τῷ μὴ διαβλέπειν καὶ τὴν φωνὴν τῷ μὴ φθέγγεσθαι φυλάττοντος ὁ τὴν ὑγίειαν ἀχρηστίᾳ καὶ ἡσυχίᾳ σῴζειν οἰόμενος → For health is not to be purchased by idleness and inactivity, which are the greatest evils attendant on sickness, and the man who thinks to conserve his health by uselessness and ease does not differ from him who guards his eyes by not seeing, and his voice by not speaking
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|Definition=ἡ, <span class="sense"><p> <span class="bld">A</span> <b class="b2">making of lyric poems</b> or <b class="b2">music for them</b>: generally, <b class="b2">music</b>, <span class="bibl">Arist.<span class="title">Po.</span>1450b16</span>, <span class="bibl"><span class="title">Pol.</span>1341b24</span>, <span class="bibl">Aristox.<span class="title">Harm.</span>p.38</span> M., Phld.<span class="title">Mus.</span>p.31 K., <span class="bibl">Ocell.4.8</span>, <span class="bibl">Cleonid.<span class="title">Harm.</span>14</span>, <span class="bibl">Aristid.Quint.1.12</span>. </span><span class="sense"> <span class="bld">II</span> <b class="b2">musical composition</b>, as opposed to <b class="b2">its practice</b>, <span class="bibl">Pl. <span class="title">Smp.</span>187d</span>, cf. <span class="bibl"><span class="title">R.</span>404d</span>.</span> | |Definition=ἡ, <span class="sense"><p> <span class="bld">A</span> <b class="b2">making of lyric poems</b> or <b class="b2">music for them</b>: generally, <b class="b2">music</b>, <span class="bibl">Arist.<span class="title">Po.</span>1450b16</span>, <span class="bibl"><span class="title">Pol.</span>1341b24</span>, <span class="bibl">Aristox.<span class="title">Harm.</span>p.38</span> M., Phld.<span class="title">Mus.</span>p.31 K., <span class="bibl">Ocell.4.8</span>, <span class="bibl">Cleonid.<span class="title">Harm.</span>14</span>, <span class="bibl">Aristid.Quint.1.12</span>. </span><span class="sense"> <span class="bld">II</span> <b class="b2">musical composition</b>, as opposed to <b class="b2">its practice</b>, <span class="bibl">Pl. <span class="title">Smp.</span>187d</span>, cf. <span class="bibl"><span class="title">R.</span>404d</span>.</span> | ||
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|ptext=[[https://www.translatum.gr/images/pape/pape-02-0127.png Seite 127]] ἡ, das Verfertigen von Liedern u. Tonweisen dazu, das Tonsetzen, im Ggstz der Ausübung, [[παιδεία]], Plat. Conv. 187 d, vgl. Rep. III, 404 d; Sp., wie Luc. Nero 6. | |||
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Revision as of 19:10, 2 August 2017
English (LSJ)
ἡ,
A making of lyric poems or music for them: generally, music, Arist.Po.1450b16, Pol.1341b24, Aristox.Harm.p.38 M., Phld.Mus.p.31 K., Ocell.4.8, Cleonid.Harm.14, Aristid.Quint.1.12. II musical composition, as opposed to its practice, Pl. Smp.187d, cf. R.404d.
German (Pape)
[Seite 127] ἡ, das Verfertigen von Liedern u. Tonweisen dazu, das Tonsetzen, im Ggstz der Ausübung, παιδεία, Plat. Conv. 187 d, vgl. Rep. III, 404 d; Sp., wie Luc. Nero 6.
