Ὠιδεῖον: Difference between revisions
τῶν Λειβηθρίων ἀμουσότερος → more uncultured than Leibethrans, more uncultured than the people of Leibethra, lowest degree of mental cultivation
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|Definition=τό, <span class="sense"><span class="bld">A</span> [[the Odeum]], a public building at Athens built by Pericles [[for musical performances]] (ᾠδαί), having an orchestra, <span class="bibl">And. 1.38</span>, <span class="title">IG</span>22.1688.3, <span class="bibl">Eup.18D.</span>; and other apparatus of a theatre, <span class="bibl">Paus. 1.8.6</span>, <span class="bibl">1.14.1</span>; used as a law | |Definition=τό, <span class="sense"><span class="bld">A</span> [[the Odeum]], a public building at Athens built by Pericles [[for musical performances]] (ᾠδαί), having an orchestra, <span class="bibl">And. 1.38</span>, <span class="title">IG</span>22.1688.3, <span class="bibl">Eup.18D.</span>; and other apparatus of a theatre, <span class="bibl">Paus. 1.8.6</span>, <span class="bibl">1.14.1</span>; used as a [[court of law]], <span class="bibl">Ar.<span class="title">V.</span>1109</span> (troch., cf. Sch.), <span class="bibl">D.59.52</span>; for philos. disputations, <span class="bibl">Alex.25.2</span>, <span class="bibl">D.L.7.184</span>, Plu.2.605a; for soldiers' quarters, <span class="bibl">X.<span class="title">HG</span>2.4.9</span>,<span class="bibl">24</span>; as a place for distributing corn, <span class="bibl">D.34.37</span>: it seems to have been circular, with a peaked roof, whence the line of <span class="bibl">Cratin.71</span>, <b class="b3">ὁ σχινοκέφαλος Ζεὺς ὁδὶ προσέρχεται ὁ Περικλέης, τᾠδεῖον ἐπὶ τοῦ κρανίου ἔχων</b>, cf. <span class="bibl">Plu.<span class="title">Per.</span>13</span>, <span class="bibl">Thphr. <span class="title">Char.</span>3.4</span>: rebuilt, after having been burnt, by Ariobarzanes, <span class="bibl">App. <span class="title">Mith.</span>38</span>. </span><span class="sense"><span class="bld">2</span> of other [[music-halls]], as that at Athens, built by Herodes Atticus, <span class="bibl">Paus.7.20.6</span>; at Corinth, <span class="bibl">Id.2.3.6</span>; at Patrae, <span class="bibl">Id.7.20.6</span>; at Patara, <span class="title">Epigr.Gr.</span>412; at Samos, <span class="title">GDI</span>5702.41 (iv B. C.); at Rome, built by Hadrian, <span class="bibl">D.C.69.4</span>; θεατροειδὲς ᾠ. <span class="title">CIG</span>4614 (Palestine).</span> | ||
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Revision as of 09:07, 5 May 2022
English (LSJ)
τό, A the Odeum, a public building at Athens built by Pericles for musical performances (ᾠδαί), having an orchestra, And. 1.38, IG22.1688.3, Eup.18D.; and other apparatus of a theatre, Paus. 1.8.6, 1.14.1; used as a court of law, Ar.V.1109 (troch., cf. Sch.), D.59.52; for philos. disputations, Alex.25.2, D.L.7.184, Plu.2.605a; for soldiers' quarters, X.HG2.4.9,24; as a place for distributing corn, D.34.37: it seems to have been circular, with a peaked roof, whence the line of Cratin.71, ὁ σχινοκέφαλος Ζεὺς ὁδὶ προσέρχεται ὁ Περικλέης, τᾠδεῖον ἐπὶ τοῦ κρανίου ἔχων, cf. Plu.Per.13, Thphr. Char.3.4: rebuilt, after having been burnt, by Ariobarzanes, App. Mith.38. 2 of other music-halls, as that at Athens, built by Herodes Atticus, Paus.7.20.6; at Corinth, Id.2.3.6; at Patrae, Id.7.20.6; at Patara, Epigr.Gr.412; at Samos, GDI5702.41 (iv B. C.); at Rome, built by Hadrian, D.C.69.4; θεατροειδὲς ᾠ. CIG4614 (Palestine).
Greek (Liddell-Scott)
Ὠιδεῖον: τό, δημόσιον οἰκοδόμημα οἰκοδομηθὲν ὑπὸ Περικλέους, ἐν Ἀθήναις, ἐν ᾧ ᾖδον ᾠδάς, ἀπήγγελλον ποιήματα, ἐτελοῦντο δὲ καὶ μουσικοὶ ἀγῶνες, εἶχε δὲ καὶ ὀρχήστραν, Ἀνδοκ. 6.14· καὶ ἄλλην σκευὴν θεατρικήν, Παυσ. 1.8, 6., 1.14, 1· ἐχρησίμευε δὲ καὶ ὡς δικαστήριον, Ἀριστοφ. ἐν Σφ. 1109 (ἔνθα ἴδε τὸν Σχολ.), Δημ. 1362. 24· καὶ πρὸς φιλοσοφικὰς συζητήσεις, Ἄλεξις ἐν «Ἀσωτοδιδασκάλῳ» 1, Διογέν. Λαέρτ. 7.184, Πλούτ. 2, 605Β εἰς καιροὺς δυσχερεῖς καὶ ὡς στρατών, Ξεν. Ἑλλ. 2.4, 9 καὶ 24· καὶ ὡς τόπος πρὸς διανομὴν σίτου, Δημ. 918.9· - φαίνεται δὲ ὅτι ἦν κυκλοτερὲς μετὰ στέγης κωνοειδοῦς, Κρατῖνος ἐν «Θρᾴτταις» 1· ὁ σχινοκέφαλος Ζεὺς ὁδὶ προσέρχεται ὁ Περικλέης, τᾠδεῖον ἐπὶ τοῦ κρανίου ἔχων, πρβλ. Πλουτ. Περικλ. 13, Θεοφρ. Χαρακτ. 3· τὸ ᾠδεῖον τοῦτο ἐνεπρήσθη ὑπὸ Σύλλα τῷ 85 π.Χρ., ἀνεκαινίσθη δὲ ὕστερον ὑπὸ Ἀριοβαρζάνου Β΄, βασιλέως τῆς Καππαδοκίας, Ἀππ. Μιθριδ. 38, Παυσ. Α΄, 20, 4. 2) τὸ ὄνομα τοῦτο ἐδόθη καὶ εἰς ἄλλα οἰκοδομήματα πρὸς μουσικὰς ἐκτελέσεις, οἷον τὸ ἐν Ἀθήναις, ὅπερ ἐκτίσθη ὑπὸ Ἡρώδου τοῦ Ἀττικοῦ, Παυσ. 7.20, 6· ἐν Κορίνθῳ, ὁ αὐτ. 2.3, 6· ἐν Πάτραις, 7.20, 6· ἐν Πατάροις, Συλλ. Ἐπιγρ. 4286· ἐν Ρώμῃ ὑπὸ Ἀδριανοῦ, Δίων Κάσσ. 69.4· θεατροειδὲς ᾠδ. Συλλ. Ἐπιγρ. Ἴδε Λεξικ. τῶν Ἑλλ. κ. Ρωμαϊκ. Ἀρχαιοτ. Σμὶθ κατὰ μετάφρ. Τσιβανοπούλου σ. 1019.
Russian (Dvoretsky)
Ὠιδεῖον: τό = ᾠδεῖον.
