τήν: Difference between revisions

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διὸ δὴ πᾶς ἀνὴρ σπουδαῖος τῶν ὄντων σπουδαίων πέρι πολλοῦ δεῖ μὴ γράψας ποτὲ ἐν ἀνθρώποις εἰς φθόνον καὶ ἀπορίαν καταβαλεῖ → And this is the reason why every serious man in dealing with really serious subjects carefully avoids writing, lest thereby he may possibly cast them as a prey to the envy and stupidity of the public | Therefore every man of worth, when dealing with matters of worth, will be far from exposing them to ill feeling and misunderstanding among men by committing them to writing

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{{bailly
{{bailly
|btext=<i>acc. sg. fém. de l’art.</i> ὁ, ἡ, τό;<br /><i>poét. acc. fém. sg. du pron. relat.</i> [[ὅς]], ἥ, ὅ.
|btext=<i>acc. sg. fém. de l’art.</i> [[]], [[]], [[τό]];<br /><i>poét. acc. fém. sg. du pron. relat.</i> [[ὅς]], [[]], [[]].
}}
}}
{{elru
{{elru
|elrutext='''τήν:'''<br /><b class="num">I</b> acc. sing. f к ὁ.<br /><b class="num">II</b> acc. sing. f к ὅς.
|elrutext='''τήν:'''<br /><b class="num">I</b> acc. sing. f к [[]].<br /><b class="num">II</b> acc. sing. f к [[ὅς]].
}}
}}

Revision as of 16:20, 16 June 2022

French (Bailly abrégé)

acc. sg. fém. de l’art. , , τό;
poét. acc. fém. sg. du pron. relat. ὅς, , .

Russian (Dvoretsky)

τήν:
I acc. sing. f к .
II acc. sing. f к ὅς.