φασγανουργός: Difference between revisions
ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι' ἀπαγγελίας, δι' ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν → Tragedy is, then, a representation of an action that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.
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Revision as of 13:55, 31 December 2020
English (LSJ)
όν, A forging swords, Αἶσα A.Ch.647 (lyr.).
German (Pape)
[Seite 1257] Messer, Dolche, Schwerter verfertigend, Αἶσα Aesch. Ch. 637.
Greek (Liddell-Scott)
φασγᾰνουργός: -όν, (*ἔργω) ὁ κατασκευάζων ξίφη, Αἶσα Αἰσχύλ. Χο. 647.
French (Bailly abrégé)
οῦ (ὁ) :
fabricant de coutelas, armurier.
Étymologie: φάσγανον, ἔργον.
Greek Monolingual
-όν, Α
αυτός που κατασκευάζει φάσγανα.
[ΕΤΥΜΟΛ. < φάσγανον «ξίφος» + -ουργός (< ἔργον), πρβλ. ξυλ-ουργός].
Greek Monotonic
φασγᾰνουργός: -όν (*ἔργω), αυτός που κατασκευάζει ξίφη, σε Αισχύλ.
Russian (Dvoretsky)
φασγᾰνουργός: кующий меч(и) (Αἶσα Aesch.).
Middle Liddell
φασγᾰν-ουργός, όν [*ἔργω
forging swords, Aesch.
