ὀκρίβας: Difference between revisions
Σέβου τὸ θεῖον μὴ ‘ξετάζων, πῶς ἔχει → Venerare numen: quid sit, noli quaerere → Die Gottheit ehre ohne Prüfung ihres Tuns
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|Definition=[ῐ], αντος, ὁ, (ὄκρις, βαίνω) <span class="sense"><p> <span class="bld">A</span> <b class="b2">platform</b> or <b class="b2">tribune</b> in the Odeum at Athens, on which the actors appeared at the Proagon, <span class="bibl">Pl.<span class="title">Smp.</span> 194b</span> ; but expld. as <b class="b3">τὸ λογεῖον ἐφ' οὗ οἱ τραγῳδοὶ ἠγωνίζοντο</b>, Hsch. </span><span class="sense"> <span class="bld">2</span> = [[κόθορνος]], <span class="bibl">Philostr.<span class="title">VA</span>6.11</span>, <span class="bibl"><span class="title">VS</span>1.9.1</span> : in pl., <span class="bibl">Id.<span class="title">VA</span>5.9</span>, <span class="bibl">Them.<span class="title">Or.</span> 26.316d</span>, <span class="bibl">Luc.<span class="title">Ner.</span>9</span>. </span><span class="sense"> <span class="bld">II</span> generally, like [[κιλλίβας]], </span><span class="sense"> <span class="bld">1</span> <b class="b2">painter's easel</b>, <span class="bibl">Poll.7.129</span>. </span><span class="sense"> <span class="bld">2</span> <b class="b2">raised seat of the chariot-driver</b>, Hsch., Phot., Suid. </span><span class="sense"> <span class="bld">3</span> dub. sens., ὑπερθέντων ὀκρ[ίβαντα] <span class="title">IG</span>12(8).261 (Thasos). </span><span class="sense"> <span class="bld">III</span> <b class="b2">ass</b> or <b class="b2">wild goat</b>, Anon. ap. Hsch.</span> | |Definition=[ῐ], αντος, ὁ, (ὄκρις, βαίνω) <span class="sense"><p> <span class="bld">A</span> <b class="b2">platform</b> or <b class="b2">tribune</b> in the Odeum at Athens, on which the actors appeared at the Proagon, <span class="bibl">Pl.<span class="title">Smp.</span> 194b</span> ; but expld. as <b class="b3">τὸ λογεῖον ἐφ' οὗ οἱ τραγῳδοὶ ἠγωνίζοντο</b>, Hsch. </span><span class="sense"> <span class="bld">2</span> = [[κόθορνος]], <span class="bibl">Philostr.<span class="title">VA</span>6.11</span>, <span class="bibl"><span class="title">VS</span>1.9.1</span> : in pl., <span class="bibl">Id.<span class="title">VA</span>5.9</span>, <span class="bibl">Them.<span class="title">Or.</span> 26.316d</span>, <span class="bibl">Luc.<span class="title">Ner.</span>9</span>. </span><span class="sense"> <span class="bld">II</span> generally, like [[κιλλίβας]], </span><span class="sense"> <span class="bld">1</span> <b class="b2">painter's easel</b>, <span class="bibl">Poll.7.129</span>. </span><span class="sense"> <span class="bld">2</span> <b class="b2">raised seat of the chariot-driver</b>, Hsch., Phot., Suid. </span><span class="sense"> <span class="bld">3</span> dub. sens., ὑπερθέντων ὀκρ[ίβαντα] <span class="title">IG</span>12(8).261 (Thasos). </span><span class="sense"> <span class="bld">III</span> <b class="b2">ass</b> or <b class="b2">wild goat</b>, Anon. ap. Hsch.</span> | ||
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|ptext=[[https://www.translatum.gr/images/pape/pape-02-0316.png Seite 316]] αντος, ὁ, 1) Gerüst auf der Schaubühne, bes. in der Tragödie, von wo herab die Schauspieler sprachen, ἀναβαίνοντος ἐπὶ τὸν ὀκρίβαντα μετὰ τῶν ὑποκριτῶν, Plat. Conv. 194 b; Luc. Ner. 9; entweder = [[λογεῖον]], wie Schol. Plat. a. a. O. u. Phot., nach Tim. lex. [[πῆγμα]] τὸ ἐν θεάτρῳ τιθέμενον, ἐφ' οὗ ἵστανται οἱ τὰ δημόσια λέγοντες, oder die Stelle der [[θυμέλη]] in den alten Theatern vertretend, oder nach Hesych. [[κιλλίβας]] [[τρισκελής]], ἐφ' οὗ ἵσταντο οἱ ὑποκριταὶ καὶ τὰ ἐκ μετεώρου ἔλεγον; derselbe erklärt es auch noch durch ἐμβάται, wie Phot. durch ἐμβάδες; u. so braucht es Philostr. V. Apoll. 5, 9, έφεστῶτα ὀκρίβασιν [[οὕτως]] ὑψηλοῖς, vom tragischen Kothurn, nach V. Sophist. 1, 9 u. Themist. or. 26 p. 316 d Erfindung des Aeschylus. – 2) die Staffelei des Malers, Poll. 7, 129. 10, 163. – 3) der erhöhte Sitz des Kutschers, Kutschbock, Suid., u. übh., wie [[κιλλίβας]], ein Gerüst, hinaufzusteigen oder Etwas darauf zu stellen, Bock. – Nach Hesych. auch = [[κίλλος]], Esel, wilder Bock. | |||
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Revision as of 19:36, 2 August 2017
English (LSJ)
[ῐ], αντος, ὁ, (ὄκρις, βαίνω)
A platform or tribune in the Odeum at Athens, on which the actors appeared at the Proagon, Pl.Smp. 194b ; but expld. as τὸ λογεῖον ἐφ' οὗ οἱ τραγῳδοὶ ἠγωνίζοντο, Hsch. 2 = κόθορνος, Philostr.VA6.11, VS1.9.1 : in pl., Id.VA5.9, Them.Or. 26.316d, Luc.Ner.9. II generally, like κιλλίβας, 1 painter's easel, Poll.7.129. 2 raised seat of the chariot-driver, Hsch., Phot., Suid. 3 dub. sens., ὑπερθέντων ὀκρ[ίβαντα] IG12(8).261 (Thasos). III ass or wild goat, Anon. ap. Hsch.
German (Pape)
[Seite 316] αντος, ὁ, 1) Gerüst auf der Schaubühne, bes. in der Tragödie, von wo herab die Schauspieler sprachen, ἀναβαίνοντος ἐπὶ τὸν ὀκρίβαντα μετὰ τῶν ὑποκριτῶν, Plat. Conv. 194 b; Luc. Ner. 9; entweder = λογεῖον, wie Schol. Plat. a. a. O. u. Phot., nach Tim. lex. πῆγμα τὸ ἐν θεάτρῳ τιθέμενον, ἐφ' οὗ ἵστανται οἱ τὰ δημόσια λέγοντες, oder die Stelle der θυμέλη in den alten Theatern vertretend, oder nach Hesych. κιλλίβας τρισκελής, ἐφ' οὗ ἵσταντο οἱ ὑποκριταὶ καὶ τὰ ἐκ μετεώρου ἔλεγον; derselbe erklärt es auch noch durch ἐμβάται, wie Phot. durch ἐμβάδες; u. so braucht es Philostr. V. Apoll. 5, 9, έφεστῶτα ὀκρίβασιν οὕτως ὑψηλοῖς, vom tragischen Kothurn, nach V. Sophist. 1, 9 u. Themist. or. 26 p. 316 d Erfindung des Aeschylus. – 2) die Staffelei des Malers, Poll. 7, 129. 10, 163. – 3) der erhöhte Sitz des Kutschers, Kutschbock, Suid., u. übh., wie κιλλίβας, ein Gerüst, hinaufzusteigen oder Etwas darauf zu stellen, Bock. – Nach Hesych. auch = κίλλος, Esel, wilder Bock.
