ἀκακέμφατος: Difference between revisions
ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι' ἀπαγγελίας, δι' ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν → Tragedy is, then, a representation of an action that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.
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|lstext='''ἀκᾰκέμφατος''': -ον, «ὁ κακῆς φήμης ἀπηλλαγμένος», Ἡσύχ., Μεθόδ. περὶ Ἀγγελομιμ. Παρθ. 3. 20. | |lstext='''ἀκᾰκέμφατος''': -ον, «ὁ κακῆς φήμης ἀπηλλαγμένος», Ἡσύχ., Μεθόδ. περὶ Ἀγγελομιμ. Παρθ. 3. 20. | ||
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|dgtxt=-ον<br />[[sin mala reputación]] Hsch.<br /><b class="num">•</b>[[irreprochable]], [[perfecto]] γνῶσις ἀ. τῆς Τριάδος Meth.<i>Symp</i>.111, cf. Phot.<i>Bibl</i>.309a.16. | |||
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Revision as of 12:10, 21 August 2017
English (LSJ)
κακῆς φήμης ἀπηλλαγμένος,
A in no ill repute, Hsch.
Greek (Liddell-Scott)
ἀκᾰκέμφατος: -ον, «ὁ κακῆς φήμης ἀπηλλαγμένος», Ἡσύχ., Μεθόδ. περὶ Ἀγγελομιμ. Παρθ. 3. 20.
Spanish (DGE)
-ον
sin mala reputación Hsch.
•irreprochable, perfecto γνῶσις ἀ. τῆς Τριάδος Meth.Symp.111, cf. Phot.Bibl.309a.16.
