νεκυία: Difference between revisions
ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι' ἀπαγγελίας, δι' ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν → Tragedy is, then, a representation of an action that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.
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Revision as of 10:31, 22 August 2017
German (Pape)
[Seite 238] ἡ, od. richtiger, Eust., νέκυια, fem. zu νέκυς, Titel des 11. Gesanges der Od., Todtenopfer, durch welches man die Seelen der Abgeschiedenen aus der Unterwelt heraufbeschwört, um sie zu befragen, also wie νεκυομαντεία, Hdn. 4, 12, 4 νεκυίᾳ χρησάμενον μαθεῖν περὶ τοῦ τέλους τοῦ βίου, vgl. D. Sic. 4, 39; Plut. de aud. p. 2 M; Luc. Nigr. 30 auch = Todtensühne. – Vgl. Lob. Phryn. 494.
French (Bailly abrégé)
v. νέκυια.
