νεάτη: Difference between revisions
ἅτε γὰρ ἐννάλιον πόνον ἐχοίσας βαθύν σκευᾶς ἑτέρας, ἀβάπτιστος εἶμι φελλὸς ὣς ὑπὲρ ἕρκος ἅλμας → for just as when the rest of the tackle labors in the depths of the sea, like a cork I shall go undipped over the surface of the brine | as when the other part of the tackle is laboring deep in the sea, I go unsoaked like a cork above the surface of the sea
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|Definition=[ᾰ] (sc. <b class="b3">χορδή</b>), ἡ, Dor. νεάτα <span class="bibl">Philol.6</span>:—<span class="sense"><p> <span class="bld">A</span> <b class="b2">the lowest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">μέση, ὑπάτη</b>), but <b class="b2">the highest</b> in pitch, <span class="bibl">Cratin.134</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>:— contr. νήτη <span class="bibl">Arist.<span class="title">Ph.</span>224b34</span>, <span class="bibl"><span class="title">Metaph.</span>1018b28</span>, <span class="bibl">1057a23</span>, Alex.Eph. ap.Theon.Sm.<span class="bibl">p.140</span> H., etc.: in pl., <b class="b3">ἐπὶ τὰς νήτας . . ἀναβαίνειν</b>, in declamation, Anty ll. ap. <span class="bibl">Orib.6.10.23</span>. (Orig. fem. of <b class="b3">νέατος</b> (A).)</span> | |Definition=[ᾰ] (sc. <b class="b3">χορδή</b>), ἡ, Dor. νεάτα <span class="bibl">Philol.6</span>:—<span class="sense"><p> <span class="bld">A</span> <b class="b2">the lowest of the three strings</b> which formed the framework of the musical scale (opp. <b class="b3">μέση, ὑπάτη</b>), but <b class="b2">the highest</b> in pitch, <span class="bibl">Cratin.134</span>, <span class="bibl">Pl.<span class="title">R.</span>443d</span>:— contr. νήτη <span class="bibl">Arist.<span class="title">Ph.</span>224b34</span>, <span class="bibl"><span class="title">Metaph.</span>1018b28</span>, <span class="bibl">1057a23</span>, Alex.Eph. ap.Theon.Sm.<span class="bibl">p.140</span> H., etc.: in pl., <b class="b3">ἐπὶ τὰς νήτας . . ἀναβαίνειν</b>, in declamation, Anty ll. ap. <span class="bibl">Orib.6.10.23</span>. (Orig. fem. of <b class="b3">νέατος</b> (A).)</span> | ||
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|lstext='''νεάτη''': [ᾰ], (ἐξυπακ. [[χορδή]]), ἡ, ἡ κατωτάτη τῶν τριῶν χορδῶν, αἵτινες ἀπετέλουν τὴν ἀρχαιοτάτην μουσικὴν κλίμακα (ὧν αἱ δύο ἕτεραι ἦσαν ἡ [[μέση]] καὶ ἡ [[ὑπάτη]]), ἀλλ’ ἡ ἀνωτάτη (ὡς πρὸς τὸν τόνον τῆς φωνῆς ἢ τοῦ ἢχου) κατὰ τοὺς νεωτέρους, Κρατῖν. ἐν «Νόμοις» 14, Πλάτ. Πολ. 443D· συνῃρ. [[νήτη]], Ἀριστ. Φυσ. 5. 1, 7, Μετὰ τὰ Φυσ. 4. 11, 4., 9. 7, 2, κ. ἀλλ.· πρβλ. [[παρανήτη]]. (Κυρίως θηλ. τοῦ [[νέατος]]). | |||
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Revision as of 10:46, 5 August 2017
English (LSJ)
[ᾰ] (sc. χορδή), ἡ, Dor. νεάτα Philol.6:—
A the lowest of the three strings which formed the framework of the musical scale (opp. μέση, ὑπάτη), but the highest in pitch, Cratin.134, Pl.R.443d:— contr. νήτη Arist.Ph.224b34, Metaph.1018b28, 1057a23, Alex.Eph. ap.Theon.Sm.p.140 H., etc.: in pl., ἐπὶ τὰς νήτας . . ἀναβαίνειν, in declamation, Anty ll. ap. Orib.6.10.23. (Orig. fem. of νέατος (A).)
Greek (Liddell-Scott)
νεάτη: [ᾰ], (ἐξυπακ. χορδή), ἡ, ἡ κατωτάτη τῶν τριῶν χορδῶν, αἵτινες ἀπετέλουν τὴν ἀρχαιοτάτην μουσικὴν κλίμακα (ὧν αἱ δύο ἕτεραι ἦσαν ἡ μέση καὶ ἡ ὑπάτη), ἀλλ’ ἡ ἀνωτάτη (ὡς πρὸς τὸν τόνον τῆς φωνῆς ἢ τοῦ ἢχου) κατὰ τοὺς νεωτέρους, Κρατῖν. ἐν «Νόμοις» 14, Πλάτ. Πολ. 443D· συνῃρ. νήτη, Ἀριστ. Φυσ. 5. 1, 7, Μετὰ τὰ Φυσ. 4. 11, 4., 9. 7, 2, κ. ἀλλ.· πρβλ. παρανήτη. (Κυρίως θηλ. τοῦ νέατος).
