ἀγλευκής: Difference between revisions
ὁ Σιμωνίδης τὴν μὲν ζωγραφίαν ποίησιν σιωπῶσαν προσαγορεύει, τὴν δὲ ποίησιν ζωγραφίαν λαλοῦσαν → Simonides relates that a picture is a silent poem, and a poem a speaking picture | Simonides, however, calls painting inarticulate poetry and poetry articulate painting
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|dgtxt=-ές<br /><b class="num">• Alolema(s):</b> [[ἀγλαυκής]] Eutecnius <i>Al.Par</i>.65.14, lacon. ἀγλευκέρ Hsch.<br /><b class="num">I</b> no ref. al gusto<br /><b class="num">1</b> [[agrio]], [[áspero]] de pers., Epich.168<br /><b class="num">•</b>del estilo de Tucídides [[áspero]] Hermog.<i>Id</i>.2.12 (p.410), cf. Longin.<i>Rh</i>.271, 388, Eust.<i>Pind</i>.8.2.<br /><b class="num">2</b> | |dgtxt=-ές<br /><b class="num">• Alolema(s):</b> [[ἀγλαυκής]] Eutecnius <i>Al.Par</i>.65.14, lacon. ἀγλευκέρ Hsch.<br /><b class="num">I</b> no ref. al gusto<br /><b class="num">1</b> [[agrio]], [[áspero]] de pers., Epich.168<br /><b class="num">•</b>del estilo de Tucídides [[áspero]] Hermog.<i>Id</i>.2.12 (p.410), cf. Longin.<i>Rh</i>.271, 388, Eust.<i>Pind</i>.8.2.<br /><b class="num">2</b> op. [[ἡδύς]] [[desagradable]] X.<i>Hier</i>.1.21, cf. Rhinth.25, de música, Poll.4.73.<br /><b class="num">II</b> ref. al gusto op. [[γλυκύς]] [[amargo]] Arist.<i>Pr</i>.877<sup>b</sup>25, οἶνος Luc.<i>Lex</i>.6, ref. al mar, Eutecnius [[l.c.]]<br /><b class="num">III</b> adv. [[ἀγλευκῶς]] = [[ásperamente]], [[desafinadamente]] οὐκ ἀγλευκῶς τῆς φωνῆς ἔχων Philostr.<i>VA</i> 4.39<br /><b class="num">•</b>[[de modo discordante]] Eust.925.47. | ||
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Revision as of 19:30, 27 November 2022
English (LSJ)
ές, (γλεῦκος) not sweet, sour, X.Hier.1.21 (Comp.), cf. Rhinth.28; opp. γλυκύς, Arist.Pr.877b25; οἶνος Luc.Lex.6; heterocl. acc. ἀγλευκήν, θάλασσαν Nic.Al.171: metaph., of persons, sour, crabbed, Epich.140; of the style of Thuc., harsh, Hermog.Id.2.12, cf. [Longin.]Rh.p.195 H.
Spanish (DGE)
-ές
• Alolema(s): ἀγλαυκής Eutecnius Al.Par.65.14, lacon. ἀγλευκέρ Hsch.
I no ref. al gusto
1 agrio, áspero de pers., Epich.168
•del estilo de Tucídides áspero Hermog.Id.2.12 (p.410), cf. Longin.Rh.271, 388, Eust.Pind.8.2.
2 op. ἡδύς desagradable X.Hier.1.21, cf. Rhinth.25, de música, Poll.4.73.
II ref. al gusto op. γλυκύς amargo Arist.Pr.877b25, οἶνος Luc.Lex.6, ref. al mar, Eutecnius l.c.
III adv. ἀγλευκῶς = ásperamente, desafinadamente οὐκ ἀγλευκῶς τῆς φωνῆς ἔχων Philostr.VA 4.39
•de modo discordante Eust.925.47.
German (Pape)
[Seite 17] ές (γλεῦκος, nach Suid. sicilisch), nicht süß, herbe; soll nach Suid. bei Xen. Oec. gestanden haben, wo es Zeune, 8, 3 u. 4, für ἀτερπές u. ἀκλεέστατον em., vgl. ἀγλυκής. Als seltenes Wort Luc. Lex. 6, οἶνος. Hermogen. nennt so den Stil des Thucydides. Bei Nic. Al. 171 ist ἀγλευκῆ θάλασσαν richtigere Lesart für ἀγλεύκην θάλασσαν, von ἄγλευκος.
French (Bailly abrégé)
ής, ές :
sans douceur, amer, âcre.
Étymologie: ἀ, γλεῦκος.
Greek (Liddell-Scott)
ἀγλευκής: -ές, (γλεῦκος) οὐχὶ γλυκύς, ὀξίνης (κ. ’ξινός), δριμύς, αὐστηρός, Ξεν. παρὰ Σουΐδ., ὅθεν ὁ Zeune παρέλαβε τὴν λέξ. (ἐν συγκρ. τύπ.) καὶ διώρθωσεν ἀντὶ ἀγλυκὴς ἐν Ξεν. Ἱερ. 1. 21. διώρθωσε δὲ καὶ τὰ ἀτερπὲς καὶ ἀκλεέστατον, ἐν Οἰκ. 8. 3 καὶ 4· - ἐναντίον τοῦ γλυκύς, Ἀριστ. πρβλ. 4. 21. 1· οἶνος, Λουκ. Λεξιφ. 6. πρβλ. Λοβ. Φρύν. 536. - Μεταφ. ἐπὶ τοῦ ὕφους τοῦ Θουκυδ., δριμύς, σκολιός, δύσκολος. Ἑρμογ. - Ἐν Νικ. Ἀλ. 171· ἴσως ἔπρεπε νὰ εἶναι ἀγλευκῆ θάλασσαν, ἀντὶ τοῦ ἀγλεύκην.
Russian (Dvoretsky)
ἀγλευκής: лишенный сладости (χυμοί Arst.; οἶνος Luc.).
