ἀείρυτος
ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι' ἀπαγγελίας, δι' ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν → Tragedy is, then, a representation of an action that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.
English (LSJ)
ον, ever-flowing, κρήνη S.OC469.
Spanish (DGE)
(ἀείρῠτος) -ον
• Alolema(s): -ρρυτος Chrys.M.56.527, Cyr.Al.M.68.461A, Poll.3.103
que fluye siempre κρήνη S.OC 469
•fig. χρόνος Cyr.Al.l.c., cf. Poll.l.c.
German (Pape)
[Seite 40] κρήνη, stets fließend, Soph. O. C. 470.
French (Bailly abrégé)
ος, ον :
qui coule toujours.
Étymologie: ἀεί, ῥέω.
Dutch (Woordenboekgrieks.nl)
ἀείρυτος -ον ἀεί, ῥέω altijd stromend.
Russian (Dvoretsky)
ἀείρῠτος: вечно текущий (κρήνη Soph.).
Middle Liddell
Greek Monotonic
ἀείρῠτος: -ον, αυτός που ρέει συνεχώς· κρήνη, σε Σοφ.
Greek (Liddell-Scott)
ἀείρῡτος: -ον, ὁ ἀεὶ ῥέων, κρήνη, Σοφ. Ο. Κ. 469.
