ἀμόμφητος
ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι' ἀπαγγελίας, δι' ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν → Tragedy is, then, a representation of an action that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.
English (LSJ)
f.l. in A.Ch.510. ἄμομφος, ον, (μομφή)
A blameless, A.Eu.475; πρὸς ὑμῶν ib.678.
II Act., having nothing to complain of, cj. Robortellus for ἄμορφος, ib.413.
German (Pape)
[Seite 127] λόγος Aesch. Ch. 503, woraus man ἀμομφῆ oder ἀμεμφῆ τόνδε gemacht hat, =
Greek (Liddell-Scott)
ἀμόμφητος: ἐσφ. γραφὴ ἐν Αἰσχ. Χο. 510, ἔνθα ὁ Ἕρμαννος διώρθωσεν ἀμεμφῆ τόνδ’ ἐτεινάτην λόγον, ἀντὶ τῆς τῶν χειρογράφων γραφῆς ἀμομφητονδετινατον.
Greek Monotonic
ἀμόμφητος: -ον = ἀμεμφής, σε Αισχύλ.
