Apelles: Difference between revisions
οὐκ ἐπιλογιζόμενος ὅτι ἅμα μὲν ὀδύρῃ τὴν ἀναισθησίαν, ἅμα δὲ ἀλγεῖς ἐπὶ σήψεσι καὶ στερήσει τῶν ἡδέων, ὥσπερ εἰς ἕτερον ζῆν ἀποθανούμενος, ἀλλ᾿ οὐκ εἰς παντελῆ μεταβαλῶν ἀναισθησίαν καὶ τὴν αὐτὴν τῇ πρὸ τῆς γενέσεως → you do not consider that you are at one and the same time lamenting your want of sensation, and pained at the idea of your rotting away, and of being deprived of what is pleasant, as if you are to die and live in another state, and not to pass into insensibility complete, and the same as that before you were born
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|Text=[[ | |Text=[[Ἀπελλῆς]], -οῦ, ὁ.|link={{filepath:woodhouse_1001.jpg}}]]Ἀπελλῆς, -οῦ, ὁ. | ||
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{{Lewis | {{Lewis | ||
|lshtext=<b>Ăpelles</b>: is (voc. [[Apella]], Plaut. Poen. 5, 4, 101, as if from the [[Doric]] Ἀπελλᾶς), m., = Ἀπελλῆς,<br /><b>I</b> a [[distinguished]] Greek [[painter]] in the [[time]] of [[Alexander]] | |lshtext=<b>Ăpelles</b>: is (voc. [[Apella]], Plaut. Poen. 5, 4, 101, as if from the [[Doric]] Ἀπελλᾶς), m., = Ἀπελλῆς,<br /><b>I</b> a [[distinguished]] Greek [[painter]] in the [[time]] of [[Alexander the Great]], Plin. 35, 10, 36, § 10; Cic. Brut. 18, 70; id. Off. 3, 2, 10; id. Fam. 1, 9; Prop. 4, 8, 11 al.—Hence, Ăpellēus, a, um, adj., of or belonging to [[Apelles]]: [[opus]], Mart. 7, 83: tabulae, Prop. 1, 2, 22 al. | ||
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{{Gaffiot | {{Gaffiot | ||
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{{Georges | {{Georges | ||
|georg=Apellēs, is, m. (Ἀπελλης), geb. zu Kolophon od. [[Ephesus]], der größte [[Maler]] [[des]] Altertums, [[Zeitgenosse]] u. [[Liebling]] Alexanders [[des]] Gr., [[bes]]. [[berühmt]] [[durch]] das [[Gemälde]] der [[Venus]] [[Anadyomene]], das [[mit]] den berühmtesten Werken desselben Meisters im Äskulaptempel zu Kos aufbewahrt u. [[als]] [[ein]] [[Wunder]] der [[Welt]] angestaunt wurde (dah. [[Apelles]] [[selbst]] [[Cous]] [[gen]]., [[nicht]] [[weil]] er [[daselbst]] geboren), Plin. 35, 79 sqq. Ov. art. am. 3, 401. Cic. de off. 3, 10: Dat. Apelleti, Corp. inscr. Lat. 6, 1467, 22: Akk. Apelletem, Petr. 64. Corp. inscr. Lat. 2, 2286: Vok. [[Apella]], Plaut. Poen. 1271. – Dav. Apellēus, a, um (Ἀπέλλειος), apellëisch, [[des]] [[Apelles]], tabulae, Prop.: [[opus]], Mart.: colores, Stat. | |georg=Apellēs, is, m. (Ἀπελλης), geb. zu Kolophon od. [[Ephesus]], der größte [[Maler]] [[des]] Altertums, [[Zeitgenosse]] u. [[Liebling]] Alexanders [[des]] Gr., [[bes]]. [[berühmt]] [[durch]] das [[Gemälde]] der [[Venus]] [[Anadyomene]], das [[mit]] den berühmtesten Werken desselben Meisters im Äskulaptempel zu Kos aufbewahrt u. [[als]] [[ein]] [[Wunder]] der [[Welt]] angestaunt wurde (dah. [[Apelles]] [[selbst]] [[Cous]] [[gen]]., [[nicht]] [[weil]] er [[daselbst]] geboren), Plin. 35, 79 sqq. Ov. art. am. 3, 401. Cic. de off. 3, 10: Dat. Apelleti, Corp. inscr. Lat. 6, 1467, 22: Akk. Apelletem, Petr. 64. Corp. inscr. Lat. 2, 2286: Vok. [[Apella]], Plaut. Poen. 1271. – Dav. Apellēus, a, um (Ἀπέλλειος), apellëisch, [[des]] [[Apelles]], tabulae, Prop.: [[opus]], Mart.: colores, Stat. | ||
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{{wkpen | |||
|wketx=[[Apelles]] of Kos (/əˈpɛliːz/; Greek: [[Ἀπελλῆς]]; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed (Naturalis Historia 35.36.79–97 and passim), rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad (332–329 BC), possibly because he had produced a portrait of Alexander the Great. | |||
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Latest revision as of 14:16, 27 May 2024
English > Greek (Woodhouse)
Ἀπελλῆς, -οῦ, ὁ.
Latin > English (Lewis & Short)
Ăpelles: is (voc. Apella, Plaut. Poen. 5, 4, 101, as if from the Doric Ἀπελλᾶς), m., = Ἀπελλῆς,
I a distinguished Greek painter in the time of Alexander the Great, Plin. 35, 10, 36, § 10; Cic. Brut. 18, 70; id. Off. 3, 2, 10; id. Fam. 1, 9; Prop. 4, 8, 11 al.—Hence, Ăpellēus, a, um, adj., of or belonging to Apelles: opus, Mart. 7, 83: tabulae, Prop. 1, 2, 22 al.
Latin > French (Gaffiot 2016)
Ăpellēs,¹³ is, m. (Ἀπελλῆς), célèbre peintre grec : Plin. 35, 10 ; Cic. Br. 70 || -lēus, a, um, d’Apelle : Mart. 7, 84, 8.
Latin > German (Georges)
Apellēs, is, m. (Ἀπελλης), geb. zu Kolophon od. Ephesus, der größte Maler des Altertums, Zeitgenosse u. Liebling Alexanders des Gr., bes. berühmt durch das Gemälde der Venus Anadyomene, das mit den berühmtesten Werken desselben Meisters im Äskulaptempel zu Kos aufbewahrt u. als ein Wunder der Welt angestaunt wurde (dah. Apelles selbst Cous gen., nicht weil er daselbst geboren), Plin. 35, 79 sqq. Ov. art. am. 3, 401. Cic. de off. 3, 10: Dat. Apelleti, Corp. inscr. Lat. 6, 1467, 22: Akk. Apelletem, Petr. 64. Corp. inscr. Lat. 2, 2286: Vok. Apella, Plaut. Poen. 1271. – Dav. Apellēus, a, um (Ἀπέλλειος), apellëisch, des Apelles, tabulae, Prop.: opus, Mart.: colores, Stat.
Wikipedia EN
Apelles of Kos (/əˈpɛliːz/; Greek: Ἀπελλῆς; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed (Naturalis Historia 35.36.79–97 and passim), rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad (332–329 BC), possibly because he had produced a portrait of Alexander the Great.
